Hollow Hills      by Bauhaus
 ------------
 
 Here is the bassline to this song; it's pretty simple actually.
 
 
 Intro: 
 
 -------------------------------------
 -------------------------------------
 --4--6----1--2-------4--6-----1---2--
 -------------------------------------
 
 Main riff:
 
 ------------------------------------
 -------4-----4--------4----4--------
 --4-6------4----1--2----4-----------
 ------------------------------------
 
 
 ********************************************************************************
 And when I'm lying in my bed, I think about life and I think about death
 
  And neither one particularly appeals to me			The Smiths
 ********************************************************************************

#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: Lyle Erickson 

I started playing around with this tonight... I'll give this out to the
list, and see what you think.  It's very sketchy and unexact, but here's
what I've got so far.....

Hope  ---Bauhaus

-------------------------|
-------------------------|
-2----2--2/7-7--7/9--9-9-|      Riff 1     Repeat 7 times....
-2----2--2/7-7--7/9--9-9-|
-0----0--0---0--0----0-0-|
-------------------------|

------------------------------------|
-8--8-8-8-8--8--8-8---7-7-7-----5-5-|        Riff 2     Repeat once...
-7--7-7-7-7--7--7-7---6-6-6-----4-4-|
-5--5-5-5-5--5--5-5---4-4-4-----2-2-|
------------------------------------|
------------------------------------|

------------------------------|
------------------------------|       Riff 3     Repeat once...
-7---7-7-7-7---9-9-9-9-9-9-9--|
-7---7-7-7-7---9-9-9-9-9-9-9--|
-5---5-5-5-5---7-7-7-7-7-7-7--|
------------------------------|


Now repeat these riffs with various strum alterations for the rest of the
song....  I'd love to know the actual chords used in the song, if anyone
knows them.  This is how I've been playing it, anyway....  Can anyone help
me get this a little more accurate?  It sounds a little different than the
record, so I know there has to be something wrong here...

thanks.... phungus@camelot.bradley.edu

#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
From: P A Blampied 

*******************************************************************

BAUHAUS - Rose Garden Funeral of Sores (bass)
(was this originally a John Cale song??)

  1 + 2 + 3 + 4 +
e|----------------|
B|----------------|
G|----------------|
D|----5-5-3-3-----|
A|------------4-5-|
E|3-3-------------|

This is just repeated throughout the song, interspersed with
something like:-

  1 + 2 + 3 + 4 +  1 + 2 + 3 + 4 +
e|----x-------x---|----x-----------|
B|----x-------x---|----x-----------|
G|----x-------x---|----x-----------|
D|----x-------x---|----x-----------|
A|3---x-------x---|1---x---3---1---|
E|----x-------x---|----x-----------|

(Where there are a line of x's, I just dampen the strings and
 play a quick strum to give an idea of the syncopation)

*****************************************************************

#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Title: Sanity Assassin

Here is my partial snips of Sanity Assassin...

Any listening to the song would reveal how these notes math up in time for
accurate renditions... Might also reveal the secret hidden parts for the
deluxe edition of this tab. 8-)

-jscsp@camelot.acf-lab.alaska.edu


(A)|----------------------------|--------------------------------|
   |----------------------------|--------------------------------|
   |-12-12-12-12----12-12-12-12-|--------------------------------|
   |-12-12-12-12----12-12-12-12-|--------------------------------|
   |-10-10-10-10----10-10-10-10-|-12-12-12-12-12-12-12-12-12-----|
   |----------------------------|--------------------------------|


(B)|-------------------------|------------------------|
   |-------------------------|------------------------|
   |-7-7-5-7-5---7-7-5-7-5---|------------------------|
   |-------------------------|-7-7-7--7--7-7--7-7-----|
   |-------------------------|------------------------|
   |-------------------------|------------------------|


|-------------------------|------------------------|
|-------------------------|------------------------|
|-------------------------|------------------------|
|-------------------------|----------------11--11--|
|-10-10--10-10-10--9-9-9--|-10--10-10--10----------|
|-------------------------|------------------------|

Capo 1 
 
 Am  
Learning lines in the rain 
 C  
Special effects by Loonatik and Drinks 
 Am  
The graveyard scene 
 G  
The golden years  
 
               Am  
She's in parties 
               C   
It's in the can   
               Am  
She's in parties 
               C   
It's in the can   
 
 Am  
Freeze frame screen kiss 
 C  
Hot heads under silent wigs 
 Am  
Fall guys tumble on the cutting room floor 
 G  
Look-a-likes fall on the cutting room door 
 
               Am  
She's in parties 
               C   
It's in the can                 
               Am  
She's in parties 
               C   
It's in the can  
  
 G                                         
Learning lines in the rain 
 D  
Special effects by Loonatik and drinks 
 G  
Freeze frame, screen kiss, hot heads, lights and power 
 D  
It's patently obvious 
  
               Am  
She's in parties 
               C   
It's in the can   
               Am  
She's in parties 
               C   
It's in the can   
 
(strum accordingly) 
 Am  
Hot lines under a rain of drum 
 C  
Cigarette props in action 
 Am  
Dialogue dub, now heres the rub 
 G  
She's acting her reaction 
  
               Am  
She's in parties 
               C   
It's in the can   
               Am  
She's in parties 
               C   
It's in the can   
 
 G                                         
Learning lines in the rain 
 D  
Special effects by Loonatik and drinks 
 G                                                  D  
Freeze frame, screen kiss, hot heads, lights and power 
 
It's patently obvious 
 
              Am  
She's in parties 
               C   
It's in the can   
               Am  
She's in parties 
               C   
It's in the can   
              Am  
She's in parties 
               C   
It's in the can   
               Am  
She's in parties                
              Am  
She's in parties

Intro: E6 Gdim7 E6 Gdim7
 
    E6                             Gdim7
Her gaze hit the side of mine so I opened it out 
     E6                         Gdim7
To destroy what you thought was difference 
     E6
So I lied to you once again 
     Gdim7
So I painted over you once again 
     E6
So I die before you once again 
           Gdim7
What's the difference? 
 
E6   Gdim7   E6   Gdim7
 
     E6
Come clearly where the flavour is 
     Gdim7
Seen here in black and white 
       E6
You've got two seconds, baby boy 
   Gdim7
In burning light white light 
           E6      G E6  G
What's the difference? 
 
 Em
Clear up what you are 
 G
Burn out these eyes 
 F#
Rip up this place and scream 
 
          Em           G F#
I am your slice of life 
          Em           G F#
I am your slice of life 
          Em           G F#
I am your slice of life 
          Em           G   F#
I am your slice of life (life) 
 
G/E G
 
Shivering under lamposts, shivering under glass 
You're standing on charisma again 
God knows it cannot last 
What's the difference? 
 
Ice inside your body 
Blood inside your soul 
Yet still twelve faces stand around 
Hugging your skinny bones 
What's the difference? 
 
   Em
So clear up what you are 
 G
Burn out these eyes 
 F#                    F
Rip up this place and scream 
 
I am your slice of life 
I am your slice of life 
I am your slice of life 
I am your slice of life 
 
Em G F# 
 
And the car opened him up to so much more 
And the money is brighter with a wider smile 
And the problem expands inside your head 
I am your slice of life 
I am your slice of life 
I am your slice of life 
I am your slice of life

Intro (guitar):
---------------------------------| 
---------------------------------|  Another guitar comes 
---------------------------------|  and doubles this second time 
---------------------------------|  through. 
-2/3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-| 
---------------------------------| 
 
Now that synth thing comes in.  
It does this (transcribed for the guitar): 
 
-7h8h11---11p8p7--                        -6p5p3------| 
------------------                        ------------| 
------------------  a few times and then  ------------| 
------------------                        ------------| 
------------------                        ------------| 
------------------                        ------------| 
 
This goes on throughout the first verse.  When I play it,
I usually just play along with it like this (with a clean tone): 
 
 D  (power chord)                B  (power) 
Tonight I could be with you   Or waiting in the wings 
 
 D  (power)                            B  (power) 
Lift your heart with soaring song   Cut down the puppet strings 
 
 G  (major)                           G  (major) 
Cut down the puppet strings 
 
I really don't know if there *is* guitar here.  If so, 
its not very 
prominant.  Anyway, I'm pretty sure all the instruments go 
 D   B   D   B   G   G   for the verses.... 
 
In the break before the third verse, the synth goes: 
 
-----------------------------------------------------| 
-----------------------------------------------------| 
---------------------------------0------------0------| 
-3-----2-3-2--3-3-------2-3-2--3----3-2-3-2-3--------| 
-----------------------------------------------------| 
-----------------------------------------------------|

#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##

			The Spy in The Cab -Bauhaus
			~~~~~~~~~~~~~~~~~~
Transcribed by: John Mc Donagh(mcdonghj@unix2.tcd.ie)

The basic Riff is the following:
e|--------0-----------------------------------------------------|
B|------0---0-0-0----0-1--1-0-0----0-1--1-0-0----1-1-1-1-0-0-0--|
G|----2------------2--------------------------------------------|
D|--------------------------------3-----------------------------|
A|--------------------------------------------------------------|
E|--------------------------------------------------------------|

The lyrics are available on the album cover(In the Flat Field).
The Bass line is a single note(like a foghorn) for most of the song,
but when the guitar stops, there is a bit more bass. I don't know this
however.

#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##
Tabbed by: jscsp@acad3.alaska.edu (Chris S Parker)

Part (A) is played throughout the entire song. Part (B) is played on a second
guitar along with it. The other parts could be played by a third guitarist, or
an overdub - whichever your resources allow. Each riff is split into 3 bars
here, the last one seems shorter than the first two, but all these notes line
up right if you've heard the song (I estimate it to be half the size of the
others).


			(1) (A)X1
			(2) (A)+(B)X1
			(3) (A)+(B)+(C)X1
			(4) (A)+(B)X1
			(5) (A)+(B)+(D)X1
			(6) (A)+(B)+(E)X1
			(7) (A)+(B)+(X)X1
			(8) (A)+(B)+(C)X1

[note: let the notes ring, lightly bend the bridge high then back to normal
while hitting each note for the same tone as I hear on my recording. These
notes have longer pauses between them than it looks - play it slow.]
(A)|0---------0----------|-1----2----1----2-----|3-------------|
   |-----0---------0-----|0----0----0----0------|--------------|
   |---------------------|----------------------|--(optional)--|
   |---------------------|----------------------|-(to simulate)|
   |---------------------|----------------------|-(bass slide)-|
   |---------------------|----------------------|---------(3)-|

[note: one bar is equal in real-time to one bar in part (A)]
(B)|---3-2-1---3-2-1---3-2-1--33-2-1-|--------------|--------------|
   |---------------------------------|--------------|--------------|
   |---------------------------------|--------------|--------------|
   |---------------------------------|---[pause]----|---[pause]----|
   |---------------------------------|--------------|--------------|
   |---------------------------------|--------------|--------------|

[note: one bar is equal in real-time to one bar in part (A).]
(C)|13-12-8-7---0-1-0---13-12-8-7---0-1-0---|
   |----------------------------------------|
   |----------------------------------------|
   |----------------------------------------|
   |----------------------------------------|
   |----------------------------------------|

   |-13-12-8-7--12--13-8---13-12-8-7---13-12-8-|--15-15-----------|
   |-------------------------------------------|--14--------------|
   |-------------------------------------------|------------------|
   |-------------------------------------------|------------------|
   |-------------------------------------------|------------------|
   |-------------------------------------------|------------------|


[note: As always - three bars - one format - spaced under ASCII constraints.]
 (D)|-0-1-0-----------0-1-0-----------|-0-1-0---0-1-0---0-1-0---0-1-0--|-3-3--|
    |---------0-1-0-----------0-1-0---|--------------------------------|-2-2--|
    |---------------------------------|--------------------------------|-0----|
    |---------------------------------|--------------------------------|------|
    |---------------------------------|--------------------------------|------|
    |---------------------------------|--------------------------------|------|


 (E)|-----------0-1-0-------------0-1-0--|-1-----1-2----2-2-1---1-2----|-2-3--|
    |-0-1-4-5-----------0-1-4-5----------|-----------------------------|------|
    |------------------------------------|-----------------------------|------|
    |------------------------------------|-----------------------------|------|
    |------------------------------------|-----------------------------|------|
    |------------------------------------|-----------------------------|------|


(X)
[note: I didn't tab this because I wasn't sure as to the exact tone - but its
just a few notes bent up and down]

#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##

Band: Bauhaus				Title: The Three Shadows (Part II)
Tabbed by: jscsp@camelot.acf-lab.alaska.edu (Chris S Parker)
	   jscsp@acad3.alaska.edu

This song was played on a piano, but here is the melody for the riff - all
the rest could be specifically played out by ear once you've got this down.

|---------------------|---------------------|
|---------------------|---------------------|
|-11--11--15-11-13-15-|-11--11--15-11-13-15-|
|---------------------|---------------------|
|---------------------|---------------------|
|---------------------|---------------------|

|---------------------|---------------------|
|---------------------|---------------------|
|--8---8--15-11-13-15-|--8---8--15-11-13-15-|
|---------------------|---------------------|
|---------------------|---------------------|
|---------------------|---------------------|

[most of the sing is...]

|---------------------|---------------------|
|---------------------|---------------------|
|-8-8-8-8-11-11-11-11-|-8-8-8-8-11-11-11-11-|
|---------------------|---------------------|
|---------------------|---------------------|
|---------------------|---------------------|